Andrew Garfield absolutely shines (as does Robin de Jesús), the musical. Pulitzer Prize and Tony Award winner Lin-Manuel Miranda makes his feature directorial debut with tick, tickBOOM, an adaptation of the autobiographical musical by Jonathan Larson, who revolutionized theater as the creator of Rent. The score isn’t helped by Miranda, whose direction, while always proficient - ‘No More’, Mike’s ditty about living in a posh apartment, is his most ambitious sequence, cross-cutting between skanky tenement buildings and parquet-floored apartments - rarely finds cinematic ways to make them soar. These criticisms aside, Tick, Tick Boom is a thoroughly charming affair that packs an emotional wallop at the end. Others - such as ‘Sunday’, a hymn to people who overspend on weekend brunch - do little to move the story on and often fall into the trap of samey, piano-driven rock tunes (Larson lacks Miranda’s dizzying wordplay). ‘Why’ is a lovely ode to friendship built on a passion for music. ‘Boho Days’, an ode to living in New York’s arty sector driven by rhythmic clapping, sounds irritating as hell but is actually very winning. Larson ( Andrew Garfield) was not so quick to understand that his environment could be the source for his work. The film finds moving emotional notes without being mawkish.Īs you’d expect from its creators, Tick, Tick… Boom! courses with a love of musical theatre, from nods and winks to Broadway history to a terrific, uncanny cameo from Bradley Whitford as Sondheim. Jon still hasn’t been able to write a killer song for the second act. His newest work Superbia, a dystopian rock musical about a poisoned planet (Greta Thunberg would stan), is heading into a rehearsal workshop before an industry showcase. Chief among them is that it is 1990 and he is about to turn 30 - the title refers to the ticking clock - and he is yet to experience the theatrical breakthrough of his idol Stephen Sondheim. ![]() Based on the Jonathan Larson musical about his own early song-writing struggles (he hit the big time with Rent), Hamilton maestro Lin-Manuel Miranda’s directorial debut is chock-full of things to set the show tunes haters’ teeth on edge (impromptu a cappella singing, for starters), but gets by on a deep well of love for musicals, some good songs and a more successful turn to the dark side in its final act.Īdapted by Dear Evan Hansen scribe Steven Levenson, Tick, Tick… Boom! flits between Larson ( Andrew Garfield) on stage at a piano, relating his life accompanied by a small band with two singers ( Vanessa Hudgens, Joshua Henry), and real-world sections dramatising his problems. Film wise, she composed the music to many of the sequels of your favorite childhood films including The Little Mermaid 3, Shrek the Third, The Emperor’s New Groove 2, and Mulan 2.If you are one of those people for whom musical theatre brings you out in hives, Tick, Tick… Boom! won’t win you over. She has written the music for classics including Fun Home, Thoroughly Modern Millie, Shrek The Musical, Violet, and Caroline, or Change. She has been named a Pulitzer Prize finalist twice, and is a five-time Tony nominee. Genre: Documentary Original Language: English Director: Shalini Kantayya Producer: Ross M. Movie Details Genre: Musical Production Method: Live Action Creative Type: Dramatization Production/Financing Companies: Imagine Entertainment, Netflix. Jeanine Tesori is the most prolific and recognized female theatrical composer in history. Stitt has also music-directed and conducted for various productions of classic Broadway shows such as Sweet Charity and Little Shop of Horrors. Georgia Stitt is a composer, lyricist, and music director who is most known for her work with her husband, Jason Robert Brown, including music directing/supervising for the film adaptations of his shows The Last Five Years and 13. 57K 2. ![]() He also has award-winning credits on Dear Evan Hansen and The Greatest Showman. Boom, a smaller-scale, 1990-set rock musical about a New York playwright struggling to find his voice as the days and minutes tick down to his 30th birthday. Alex Lacamoire is the composer, arranger, conductor, and musical director behind much of Lin-Manuel Miranda’s work, including In the Heights, Fosse/Verdon, and, everyone’s favorite, Hamilton.
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